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I was in a cage supplied by local officials - a cage with gaps wide enough for my camera lens
with its history as a Native American and European crossroads as well as a place of diverse natural beauty
I understood that the faux saloon we built in the Tetons of Wyoming would have a wider narrative if there was some sense of place and indeed a sense of the cold
We mix things up in our storytelling at the Pioneer and some ideas work and some don’t
The premise was to try and capture transcending textural detail and that meant being as close as permitted by Yellowstone rules and then having the best lens for the job
Gold Inside of You Valentines I was in a cageAcrylic on Canvas, 10" x 10" Unframed and 12" x 12" Framed.
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